
“As most perceptive readers will agree, the distinctive characteristic of the human world is its insanity.”
Alberto Manguel
A Reader on Reading (more on this book here...)
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The second theme, which follows from the first and is explicitly stated as a lesson to the children in the novel, is that of cultivating empathy and understanding by trying to see the world from the other’s perspective (as Scout does finally when she stands on Boo Radley’s porch at the end), by metaphorically living in someone else’s skin, walking in their shoes. This is a lesson about life and specifically about race. It remains the most crucial lesson in our public as well as private lives, and so this too accounts for this novel’s standing.
As the Civil Rights Movement came to fruition in the early 1960s, the book struck a chord. So did the equally classic 1962 movie version, which in addition to Gregory Peck at the height of his fame, had quite a pedigree behind the camera. Alan Pakula produced it (though only his second feature as a producer, he later produced Klute, Sophie's Choice and other hits, as well as directing All the President's Men, etc.) Robert Mulligan directed, Elmer Bernstein wrote the musical score, and the screenplay was written by Horton Foote, the Texan playwright, who had written extensively for television drama and later wrote many acclaimed movie scripts, including Tender Mercies for Robert Duvall. Duvall’s first movie role was Boo Radley.
Young Mary Badham, who played the six year old “Scout,” also kept in touch with Peck for the rest of his life. She felt close to him immediately on the set, and between takes would be seen hanging onto him in his lap. She called him “Atticus” ever after.
The movie streamlines the story of the novel by collapsing the events into a single year. It very carefully tells the story from the children’s point of view, even in shot selection. Though the subplot of Mrs. Dubose (played by the accomplished actor, Ruth White) was shot, director Mulligan felt it sidetracked the momentum of the film and most of the scenes were cut. It’s said her performance was brilliant.
And of course, Gregory Peck, who could express so much with presence, gesture and nuance—with a tilt of his head and a raised eyebrow. The makers of this film understood and complemented this power. They allowed him to react without speaking; in a key scene, in which he learns that his client is dead and he must tell others of this, we see him mostly from the back.
Ultimately, it is the book itself, which is Harper Lee’s achievement, justly celebrated today. Though she attempted a couple of other books, this is the only one she published. She lived a quiet but full life in New York and in a house full of books back in Monroeville, Alabama. Now in her 80s, she lives nearby. In 2006, Harper Lee reaffirmed her dedication to writing and the written word, in a letter to Oprah Winfrey. "Now, 75 years later in an abundant society where people have laptops, cell phones, iPods and minds like empty rooms, I still plod along with books.”