Saturday, January 23, 2021

You Get What You Give

 

 Democracy prevailed, as President Biden said, but the human prospect is still pretty iffy. But whatever happens, as moments in the virtual Inaugural remind us, humanity did something transcendent. We sing. And we dance. 

 There were no joyous crowds, so apart from speeches, the megastar singing, the fashion and a song of words called a poem, all the joy was virtual, and you had to look for it. But the Inaugural committee provided it. Apart from Lady Gaga and Jennifer Lopez etc., who were great, a lot of people probably saw the evening program, which to my mind had its moments but was uneven. Maybe it was all the commercials.

 What a lot of people didn’t see was the virtual Parade Across America program in the afternoon, which mostly featured non-celebs demonstrating the energy and grace that’s part of their ongoing lives, whatever else has been going on. Towards the end of it was a two minute plus video, Dance Across America, which featured trained and professional dancers with some amateurs (which means they do it for the love of it, because it is its own reward.) That’s the exhilarating video above.


Also part of that program was a music video, made recently by Gregg Alexander, lead writer and singer of the late 90s band New Radicals. After one hit single, he disbanded it, tired of the business (according to Wikipedia sources) and concentrated on writing for others.

 But that hit was a song called “You Get What You Give,” and it was a Biden family favorite, especially in the hard times during Beau’s fatal illness. Second Gentleman Doug Emhoff had it played during 2020 campaign rallies. So Alexander got some musicians together to record a new version, and this video for the virtual Inaugural parade program.

 I missed this song completely when it was new. How could that happen? Not only is it catchy with great lyrics, but the original video for it was shot in a shopping mall. In context, it’s a kind of fight song for teen millennials, caught in the servant sector with no discernible way out.  

 Though the visuals in the new video are uneven, Alexander’s new vocal is more soulful. The song always had heart. And the fight song lyrics still work: “We got the dreamer’s disease.” “You got the the music in you...Don’t give up/you’ve got a reason to live/Can’t forget/We only get what we give.” 

 As a species we’ve trashed the planet and our own potential, and seem intent on doing ourselves in, knowing that’s what we’re doing, but unable to stop ourselves. But we've cultivated another side of us so maybe we’ll squeak through, who knows? Anyway, as long as we’re here I expect we’ll still be singing and dancing. These video suggest that these are the flowers of our civilization. Experience them now.

Wednesday, January 20, 2021

Be The Light


“For there is always light,
 if only we’re brave enough to see it
 If only we’re brave enough to be it.”
-- Amanda Gorman January 20, 2021 

Today:

 The eldest elected President took office. 
The first woman, black woman,woman of south Asian heritage elected Vice-President in American history took office.
The youngest poet in history to read at an Inauguration stole the show.

 The first black U.S. Senator in Georgia history took office.
 The first Jewish U.S. Senator from Georgia took office. 
The first Latino U.S. Senator in California history took office. Together they produced a Democratic majority in the Senate, and Chuck Schumer became the first Majority Leader from New York. 

 The U.S. rejoined the Paris Accords, the global effort to address the global climate crisis.

 The U.S. rejoined the WHO in a global effort to address the global covid crisis.

 Laws to prevent evictions and to delay student loan payments during the covid crisis were extended.

 The Keystone pipeline permits were withdrawn, among other reversals of anti-environment policies and regulations, including a moratorium on fossil fuel leases in the Arctic National Wildlife Refuge.

 Masks and social distancing on federal property, by federal employees, and on airplanes and other interstate travel are now mandated by federal law.

 DACA was bolstered. 
The “Muslim ban” on travel is ended.
 Construction on The Wall is halted.
 Diversity training is back, anti-discrimination policies in the federal government are strengthened, and the notorious 1776 Commission is disbanded.

 All of the Trump cabinet resigned, and several of the worst sub-cabinet officials were fired, including the guy who turned the Voice of America into a Trump shill factory.  Competent and experienced career public servants were appointed to run the various departments until cabinet officers are confirmed.

 So how was your day?

 

It was a day that may have changed everything, and its events will be discussed for a long time. It was also a day that represented a kind of restoration. There was no violence in Washington, and little trouble around the country. Normality seemed radical, and the old cliches suddenly had real meaning.

It was a day of tears, of laughter, of renewed belief, and disbelief that the last four year actually happened, or that they are over.  People spoke of the effect of this day as lifting a thousand pound weight off their hearts, of allowing them to breathe freely for the first time in four years. It was a day to exhale, and maybe to inhale a new spirit, that is also a traditional and aspirational spirit.  Now it's up to the rest of us.

 Of all the details I heard or read today, the one that most struck me was about a certain change to the Oval Office. There are more portraits, photos and so on of particular American political figures and heroes, but the most prominent is a large portrait of Franklin D. Roosevelt. It is on the wall directly opposite the Resolute desk, so that every time President Biden sits there, he will be looking into the eyes of FDR.

 Just one comment on events of the day: the networks that didn’t carry the Virtual Parade Across America in the afternoon (instead opting for the chatter of their talking heads) really missed something. It wasn’t as glossy as the evening program but it was more fun, especially the final “Dance Across America.”

Tuesday, January 19, 2021

Viral: A Farewell to the Trump Era

There’s nothing new about a leader with authoritarian pretensions, nor a political leader engaged in persistent and massive corruption. Neither has perhaps happened on the scale of Trump in the US for some time, so like a pandemic (the last being the Great War flu), current generations maybe weren’t familiar. In this as in so much these years, the characteristic feeling was shock without surprise.

 There’s nothing new about tendencies to hold political views counter to the facts. George Orwell wrote about this in 1946, as a late instance. As for the conspiracy theorists’ methodology of finding what they want to find by abstruse means and bizarre interpretations, Jonathan Swift was making fun of this well-known tendency on the part of power-mad authorities in the 18th century. Were I more conversant with the Classical Age, I’m sure I would know observations on all of these topics and more that we’ve seen in the past few years made by the ancient Greeks and Romans. 

 

What was new this time is suggested in Marshall McLuhan’s most famous pronouncement: the medium is the message. As he observed, the leaders of the 1930s and 40s, including the European dictators, achieved their power through the then-new medium of radio. Radio created a direct relationship between the voice of the leader and individuals in their homes. 

 The medium came of age when nearly every home had radio, and an entire nation—if not much of the world—could hear a broadcast simultaneously. So the voice of the leader spoke to every individual—every family, neighborhood, city-- in every home and many public and social spaces at the same time.


 Radio also brought an immediacy to news and documentary broadcasts. And of course, it brought sound, and therefore drama.  The news was a different kind of story.

  There had been nothing like it before. There were no prior standards for discerning or judging what was true or false, except the credibility of the speaker and the authority of the radio networks.

 By the 1960s, television had transformed how citizens received political information, though the change was perhaps less radical: television combined the immediacy and presence in the home of radio with the visuals of the movie newsreel and the accompanying narration of newspapers. 


 This combination elevated the power of the image, broadly defined beyond the simply visual. This either enhanced leaders (JFK) or undermined them (LBJ, Nixon), and visual information of events either supported or contradicted the reality the leader claimed. It took awhile before viewers could readily discriminate and make judgments based on what they saw on television. 

 Then came the Internet and shortly afterwards, social media. The nature of these emphasized features of radio and television that were absent.

 When radio was dominant, it was largely the product of a limited number of networks (in many countries, that number was one.) The same was true when television dominated. In the US there was CBS, NBC and ABC. Each of these companies had a news and information division modeled on newspaper journalism, which attempted to adhere to best practices, and standards of accuracy and fairness.

 In addition, because the federal government controlled the airwaves on behalf of the public and allocated wavelengths, government imposed standards, such as those incorporated in the Fairness Doctrine. As mass media beholden to national audiences, each network had as well a Standards and Practices department, to limit offensive words for example, as well as to protect the company against content that might lead to sponsor unhappiness and boycotts, as well as defamation, libel and other lawsuits.


 All of this meant that viewers received basically the same information at the same time (especially when all three networks broadcast or covered the same events simultaneously.) That information was vetted, and vouched for by named and recognized large organizations with a news pedigree. There were abuses, of course, including censorship, and a dearth of dissenting information, which in one case—the Vietnam War—caused a crisis of confidence and credibility. But basically these were features of the mass media of television and radio.
 
These features rapidly and radically declined in the 1980s and 90s. Cable and satellite television brought a proliferation of stations and then mini-networks. At the same time, national standards enforced by regulations such as the Fairness Doctrine disappeared when those regulations disappeared. Now mini-networks specializing in news and information could maintain an ideological slant and even distort information to fit a political agenda, or to create one. Viewers of one of these networks who swallowed whole the information and opinions it provided, without testing the accuracy of it by consulting sources outside the network, could have radically different apprehensions of the no-longer common reality.

 That’s how it came to work in theory, and for viewers of Fox, in reality. For on that network, political ideology and the company line clearly overwhelmed the news standards attempting to institutionalize accuracy and fairness that other new networks employed.

 Enter the Internet and social media. Billions of computers—which today means everything from desktops to phones—can both create and consume content, with minimal control by a social media platform. They all have equal access to the same large universe of information. Individuals choose their particular sources of information, and the associates they communicate with. 


 Beyond this, I have little useful to say about social media because I don’t participate in it. I am not on Facebook, I have never tweeted. So far I don't even have a smartphone.  Obviously I got as far as blogs, and so I understand the ability to instantly publish. I have smaller experience with the power to connect directly, from past participation on group blogs like Daily Kos, or through comments to political or special interest sites (like the old Star Trek bulletin boards.)

 But I do think it is intuitively obvious that the power of the Trump presidency is derived from the power and nature of social media, and especially from the fact that he was functionally the first social media President, and very nearly the first social media dictator. 

 So for those who wish to research this Dark Age as well as the age of Trump, I suggest starting with social media and how it shaped what happened. Because I believe how it shaped what happened is not entirely obvious.

 It is obvious to me, however, that social media created virtual communities that have features in common with other communities, or that otherwise it exaggerated tendencies seen in other social settings.  

Many of these communities are based on common interests, such as gardening or music, and are benign and beneficial. But communities can also develop based as much on who they oppose as on who they include. People can derive feelings of identity and well-being from engaging with people who differentiate themselves from other people. Those feelings tend to override individual judgments, because to disagree with the group is to be outside the group. This is seen in something as simple as office gossip. But you can certainly imagine it among conspiracy theorists. And the more radical the belief, the more necessary that associates be true believers, or else the basis of solidarity, membership and companionship evaporates.  Then once again you're out in the cold and uncertainty, alone.

Social media connects people to a wider world, and not just one way.  Because there are others who talk about aspects of that world, provide their perspective from someplace far away, people feel connected to the world and to each other in a new way.  If their opinions are shared (even if those opinions are shaped by the dialogue), they participate in that world.  They are involved, perhaps for the first time.  The world outside is not something they can only dimly see, without much comprehension.  

On the less positive side, they may find people online who will confirm the prejudices and resentments based on them that they held secretly and with some tentative shame.  Now there are others, armed with scientific arguments, with stunning historical interpretations previously hidden from them by those establishment politicians and those network executives. 

 That information will be skewed and bogus, but probably augmented by videos dramatizing it.  That's another feature of the digital world: easy to use editing tools available to everyone can be used to edit images with a professional patina, recombine them out of context and even change them through digital manipulation, accompanied by portentious narration.  Once videos like this are viewed on the Internet, algorithms kick in that display other videos and material with the same information and point of view, giving the impression of corroboration rather than just repetition.  These algorithms, used automatically on media and social media sites, may drive home a particular conclusion without ever presenting rebutting information or a contrary view.   

There is also particular power in something so absorbing, simultaneous and constant as on-line interchanges. The Internet is always on, there are always new messages. Even if social media is still very limited in terms of sense data—it’s mostly words, with some imagery and a little sound—it is compelling, addicting. And it can move easily beyond cyberspace to define the rest of life.

 These must be factors in the dominant presence of social media. That dominance in turn is a source of its power. Trump’s triumph may have been his management of so much of society’s attention (i.e. kept always on himself.)

 That dominance currently involves a feedback mechanism: people get a buzz from constant attention to social media, resulting in the power social media attains from commanding constant attention. But there may be another factor: sheer novelty. It’s the new medium. Eventually, people may get tired of it all the time. And it won’t necessarily be only when replaced by a newer medium. People are already drifting back to old ones, or at least reincorporating them.  Even now in many if not most peoples' lives, it has its place but it isn't everything.


 So it may take time, but people may someday once again be able to sit, stand or walk without staring at social media feeds on their phones. (This may already be happening. Back when I was among other people, I noted that more people at a cafe in Menlo Park, epicenter of the computer society, were not staring constantly at their phones or ipads, than I observed back here in Arcata, especially around students.) 

 There is that other aspect of novelty that previously pertained to radio and television. Social and related media may be especially powerful because people have not fully developed or learned how to apply standards of judgment, or even skepticism, to information absorbed through a new medium. It takes time and the ability to step back before those standards are widely established. 

 This is perhaps especially true when many people captivated by social media haven’t previously developed skills of assessing information in other media. They may not have much experience in the perils of abstractions. And they are up against very skillful manipulators who’ve adapted old scams to the Internet.

 I used to resist the usage of “viral” applied to viral information, viral tweets, “gone viral.” I resented even the prior assertion that “language is a virus.” I believe language is powerful, but if it is a virus, its antidote is other language (as well as, in some cases, simply observing the real world.) So I don’t see the reason for the metaphor. 

 On the basis of information alone the virus metaphor breaks down, because the antidote to a virus is antibodies, or a vaccine that disables it. Standards of judgment don’t destroy information—they assess it. After assessing it they may reject it entirely, but more often, it is rejected in part—it is mostly inaccurate, or it is being misinterpreted, or the evidence for it is not adequate. (Perhaps the metaphor works better if it’s the disease caused by the virus that is destroyed.)

 Still, there is undeniably something akin to a physical virus about information through social media. There is something beyond this version of the viral, that probably cannot be understood without investigating in detail how social media operated these past four years. We have to understand how our institutional boundaries and perennial norms could be so easily breached and defied, almost indifferently. How we seemingly could not find a core, a place, however small, of certainty. Was it entirely the fragmentation mirroring the fragmented information of social media? Or something more?

 Some features of ideological conversions are well known, and that social bonding is strong in maintaining membership. But I would look at why associations created by bonding through social media appear to be especially strong (is it because they are constantly renewed, every single day?) and how realities created in cyberspace can survive contact with the actual world. 


 Apart from the cynically ambitious enablers in office and the ambitiously cynical manipulators in the digital darkness, does this go beyond what we understand as politics? Is at least some of this on-line zealotry a new form of debased religious ecstasy? Is immersion in a group bound by belief in a system that explains everything in simple, extreme--even archetypal-- and emotionally transporting terms, demanding action in the name of rescue, redemption and patriotism, just a short step to a mindless but cunning and violent, keening mob? 

 That Trump will be known for (among other things) presiding over the unnecessary disaster and deaths of a viral pandemic may also be the key to understanding this era otherwise as well. Because whatever else he was, Trump was a virus. And he almost killed us.

Monday, January 18, 2021

Poetry Monday: Quinnapoxet


Quinnapoxet

I was fishing in the abandoned reservoir
 back in Quinnapoxet, 
where the snapping turtles cruised
 and the bullheads swayed
 in their bower of tree-stumps,
 sleek as eels and pigeon-fat.
 One of the gashed my thumb
 with a flick of his razor fin
 when I yanked the barb
 out of his gullet.
 The sun hung its terrible coals
 over Buteau’s farm: I saw
 the treetops seething. 

 They came suddenly into view
 on the Indian road, 
evenly stepping 
past the apple orchard,
 commingling with the dust
 they raised, their cloud of being,
 against the dripping light
 looming larger and bolder.
 She was wearing a mourning bonnet
 and a wrap of shining taffeta.
 “Why don’t you write?” she cried
 from the folds of her veil. 
“We never hear from you.”

 I had nothing to say to her.
 But for him who walked behind her
 in his dark worsted suit,
 with his face averted
 as if to hide a scald,
 deep in his other life,
 I touched my forehead
 with my swollen thumb 
and splayed my fingers out— 
in deaf-mute country
 the sign for father.

-- Stanley Kunitz


 Artists of all kinds have mined their dreams: painters, poets, filmmakers, fictionists, choreographers, even songwriters (Paul McCartney got the melody for Yesterday from one dream, the idea and imagery for Let It Be from another.) Poet Stanley Kunitz has often incorporated his dreams but this poem is significant in that its actions entirely come from a dream, from the fishing to seeing his dead parents. The place is where he'd spent summers as a boy, but what happens is all from the dream. Of course, the language is the poet’s art.

 His father often appears in his poems, though Kunitz never knew him. His mother forbade even a photograph. The final action in the poem—touching the forehead and making the sign—came from the dream as well. But it was only later that Kunitz discovered what the gesture meant in a language for the deaf. Apparently, the dream already knew.

 Stanley Kunitz won the Pulitzer Prize for poetry in 1959 and the National Book Award in 1995 for Passing Through: The Later Poems, one of the volumes in which this poem appears. He continued to write from the perspective of age for another decade. He died in 2006 at the age of 101.