The Greensburg Library on South Main St., as it was when I started going there. |
I remember talking it over with my mother, and she accompanied me to the library and they signed me up. After that, I went to the library on my own--a few times with friends (especially after Saturday afternoon movies) but mostly on my own. It was the beginning of my life of independent reading.
It may be difficult for readers today to believe it, but I walked to town unsupervised before I was ten. It was just under a mile, a straight shot down and up hills, down West Newton Road and across to continue as Pittsburgh Street, finally, steeply up to the business district on the crest of a hill.
The first attempt at a public library quickly outgrew its space, and General Richard Coulter, who commanded troops in World War I and belonged to a prominent Greensburg family wealthy from banking and coal, donated his old home on South Main Street. (Built in 1881, this may have also been the home of his father, the first Richard Coulter, who was a member of Congress and a state supreme court judge.) It opened as the Greensburg Public Library on June 26, 1940, almost precisely six years before my birth.
The building that housed the Greensburg Library |
I was probably asked what kind of books I was interested in, and I mentioned science fiction, or at least spaceships. I was steeped in Saturday morning shows like Space Patrol, Tom Corbett and Rocky Jones: Space Ranger, and even before that, I'd watched Captain Video every evening. By then the exciting Man in Space episode of Tomorrowland on the Disneyland hour may have aired. I'd seen a few science fiction movies, and may have read a Robert Heinlein story in Boy's Life.
So many times--up the steps, into the front door, with the circulation desk dead ahead. A sharp left turn and down a few polished wooden steps to the children's room. In a few years, I would be sneaking behind the bulletin board at the far right corner of the room, which hid the dimly lit adult stacks in the rooms next to it, books from ceiling to floor.
It was a bit spooky in there at first. But by junior high years, having learned the rudiments of the Dewy Decimal System and how to use the card catalog, I searched and browsed back there. I also checked the shelves of new books on the wall just opposite the circulation desk, to the left of the entrance.
To the right were a couple of smaller rooms, one of which was the reference library, with a big globe. I remember reading chapters in the Catholic Encyclopedia in there on a high school evening, shocked by what some of the Popes had gotten up to.
In the early '60s I discovered that I was allowed to take the stairs to the second floor that began just behind and a little to the right of the circulation desk. On the second floor was a room of recordings, and a record player. Amazing! Classical, jazz and most importantly just then, folk music albums.
Then I learned I could take some out. Just about all I knew of folk music was what was on popular radio--mostly the Kingston Trio and Peter, Paul & Mary. So it was the public library that introduced me to Odetta, Miriam Makeba, Joan Baez and Bob Dylan.
I also was introduced to recorded humor--the albums of the new comedians I saw on TV like Bob Newhart, but especially to the satiric Stan Freberg. I loved those albums! Freberg (among others) inspired me to write satirical scripts and record them with three friends (The Four Frauds) and later I learned songs and even stole funny bits from those folk albums, as three of us morphed into a folk group, the Crosscurrents.
The public library provided access to records I didn't know about and couldn't afford to buy anyway. But it mostly put books into my hands--books I had no other way of even touching, let alone reading.
Going to the library, selecting the books, were among my first independent acts. Being conscientious about getting the books back on time was among my first independent responsibilities...And of course I remember fondly several of the library ladies who were always there--friendly, sometimes scary, but who knew me and talked to me as a reader.
One Greensburg history says it was built according to the plan for the Charlotteville, Virginia post office (1905), and indeed they look all but identical. (That's Greensburg above, Charlottesville left.)
That provenance may help account for the prominent columns and portico--though a popular style at the time (variously called colonial revival, neo-colonial and Beaux Arts) it especially echoes a lot of Charlottesville (and University of Virginia) buildings, which themselves echo Monticello, Thomas Jefferson's home outside that city.
The Greensburg building's interior was extensively renovated in 1934-5, and it's likely that this project was designed and carried out by Samuel Plato, the first African American to receive commissions to build US Post Office buildings. He was also a builder who insisted on integrated work forces. (The Greensburg connection is according to the Filson Historical Society in Kentucky, which houses Plato's papers.)
The 30s and 40s were busy in Greensburg and Westmoreland County, so this was not just the post office but the county Federal Building, housing offices of the Agriculture Department, U.S. Navy, IRS, Civil Service Commission, Census Bureau and the congressional district office.
It seems likely that the renovation was at least in part a New Deal project, but I can't find documentation of that. I'm still looking into the history of this building and this 1930s project, so if anybody in Greensburg could find and photograph a cornerstone dedication or a plaque inside the building, I'd love to have it. It's puzzling to me that Greensburg seems to ignore this building and its history, even though it seems to be within its official historic district.
When I returned to town for a couple of hitches in the 70s and 80s I dropped by the library in its new building. The entrance area was huge, the circulation desk impressively big, and the ceilings very high. The first time I visited there was even one of the same library ladies there. I asked her if she remembered me. "Yes," she said, not approving of my beard, however. "You look like an old sailor." I immediately thought of all the books I'd borrowed that featured ships and the sea.
A final anecdote suggests a different aspect of this story. Sometime in the late 70s or early 80s I was suddenly inspired to look for a book I'd taken out in high school. I found it in the stacks. It was obviously the very same copy (dark blue, gold lettering.) The old card system was still being used, with a card in a pocket just inside the book to indicate the due date. Often this card traveled with the book, and had its title and number on it, as well as the signature of the person borrowing, so you could actually see how many times it had been taken out, and by whom. Homeland Security would have loved it.
As I took the book to the circulation desk, I glanced at the card. The first and last time it had been taken out was 1963, and the first and last person to take it out was me. The book was by Richard Hofstader: Anti-Intellectualism in American Life.
It's a small town library, serving small town people. But among those people is somebody like me; in fact, for those years, exactly me. This book, clearly of minority interest, was here. They bought it and kept it, and it waited for me. The public library is open to all, but serves individuals within the all. Even a minority of one. And we all get to borrow these books, on the same easy terms. The public library is a miracle. It's the most democratic of institutions, and therefore, a democratic miracle.
As for the first book I borrowed, The Spaceship Under the Apple Tree, it's a somewhat witty tale that today would remind people of E.T. But after my two weeks were up I took it back without completing it. Reading a whole book is a skill, and in my case it took more time to acquire it.
I would soon find on those shelves just the books to really get me started. But that's for next time.
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