Though he was a young man when he started making films, Ingmar Bergman has always been the trademark filmmaker of mortality. The epic battle on the beach with the devil in "The Seventh Seal" is famous enough to be routinely parodied, and the intense beauty of "Cries and Whispers" is framed in pain and fatality. Even the child in "Through A Glass Darkly" seems to be glimpsing mortal lessons as the adults around him pose and flail on their train trip to the end of the line.
But oddly perhaps, his early film concerning an old man is among his most gentle. '>The Criterion Collection DVD of "Wild Strawberries" happens also to include an extended interview with Bergman when he had just passed the age of that film's protagonist. He was a sharp and physically graceful 80 (and this was in 1998. He's gone back to making films since---his latest release was 2003.) Both the movie and the interview turn out to be rather encouraging.
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The phenomenon known as the Hollywood Blacklist in the late 1940s through
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