The Human Touch
Here in America, land of geographically and socially separated enclaves of experts where only one "brand" per person is permitted, British writer Michael Frayn would be not only an anomaly but a suspicious character. As a playwright, he wrote "Noises Off," the international hit that critic Frank Rich called "the funniest play written in my lifetime," and "Copenhagen," a drama about quantum physicists, another international hit. Frayn is also an accomplished journalist, novelist, translator, screenwriter and writer of nonfiction, including philosophy, of which "The Human Touch" is the latest example. Moreover, it is not the "how to win friends" or just "how to win" sort of philosophy, but serious analysis of what we know and how we know it, particularly concerning the nature of scientific knowledge, as well as the nature of reality.
For more on Michael Frayn's new book, click here for my review in today's San Francisco Chronicle Book Review.
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The phenomenon known as the Hollywood Blacklist in the late 1940s through
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