“We’re here to remember one of the heroes of the Scottish culture,” begins Black, festooned in a red Enterprise uniform T-shirt and speaking in a Glaswegian burr, as he takes the microphone. “Cmdr. Montgomery Scott—Scotty.”
A ripple of laughter washes through the audience at the pub. Black pauses in mock ignorance.
“Why are you all laughing?” he asks mischievously.”
Most myths are set in the past, implying that the age of heroes and defining deeds is in the remote long ago. This is especially appropriate for certain kinds of myths, such as explanations of how the world or a people came to be; the foundation stories of a culture. But in the modern era, a belief in progress through time made myths of the future possible.
Because our age is characterized by looking ahead, and because the future has always been essential to the American identity, our culture is also defined by myths of the future. It may well be that our foundation mythology is the mythology of the future.
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The phenomenon known as the Hollywood Blacklist in the late 1940s through
the early 1960s was part of the Red Scare era when the Soviet Union emerged
as th...
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